Far Out Magazine : Mu Major : The chord that Steely Dan invented

The duo invented their own chord, which they could use to give their songs a jazz feel without being overly jazzy. It was called the Mu Major, and it was similar to a suspended second chord; however, it contained a major or minor third, which you don’t tend to see when dealing with suspended chords. This meant that they could play standard minor and major chords, but give them more texture without making the track sound too jazzy.

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CBC : Bob Geldof shares how he convinced Queen's Freddie Mercury to do Live Aid

The Irish musician and activist Bob Geldof is perhaps best known as one of the organizers of Live Aid, the massive two-venue benefit concert that raised millions for famine relief in Ethiopia in 1985.Some of the biggest artists and bands of all time came together for that concert, including Paul McCartney, Queen, Madonna, Elton John and David Bowie. But how exactly did Geldof convince them all to give up their time for free on the same day ?

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Forbes : Amy Helm Salutes Women’s Voices And Reveals Her Woodstock Faves

Tourists have flocked to Woodstock, New York since the late 1960s, when word got out that rock stars and other musicians had moved there, and the town lent its name to the biggest event in rock music history, 1969’s Woodstock Music & Art Fair. Musician Amy Helm was born a year later in Woodstock and has seen the town’s popularity grow. Today, she only has warmth for visitors and reveals to them her favorite things locally and in the Hudson River Valley.

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Financial Times : Welcome to Patti Smith’s antique book club

American singer-songwriter, poet, painter, author and human-rights advocate Patti Smith first found herself in New York during the hippie takeover of 1967, a politically charged summer of free love, activism and riots. She worked in two Manhattan bookstores, Scribner’s and The Strand, and wrote verse, which led to her forming the Patti Smith Group in which she fused her Rimbaud- and Blake-inspired poetry with the emerging punk rock scene.

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American Songwriter : Behind the Failed Attempt To Censor Johnny Cash and Kris Kristofferson: The Rebellious Ryman Performance of 1970

Johnny Cash and Kris Kristofferson were hard to tame. Both artists were passionate, convicted, admirably idealistic, and would seemingly not bend or break for anyone or anything. That’s simply who they were and why their music was so great. Hence, when Cash debuted Kristofferson’s “Sunday Morning Comedown” in 1970 at the Ryman Auditorium, Cash subverted some executive’s wishes for his good friend.

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Afropop Worldwide : Angélique Kidjo and Christian McBride Support Jazz House Kids

"On March 6, 2025, Angélique Kidjo joined nine-time GRAMMY winning bassist and composer Christian McBride for the Ralph Pucci 9th Annual Jazz Set, The Lowdown: Conversations with Christian®. The evening benefited Jazz House Kids, a nationally-acclaimed nonprofit that uses the power and legacy of jazz to give young people an artistic edge, providing access to world-class arts education and live performances, no matter what their financial constraints. Angélique brought her dynamic presence to an intimate evening at Ralph Pucci International in New York City, set against the iconic backdrop of Frank Stewart's masterful jazz photography."

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KLOF Mag : Soundwalk Collective with Patti Smith Announce “Correspondences Vol II” (by Alex Gallacher)

"CORRESPONDENCES, the long-term audio-visual project by Soundwalk Collective and Patti Smith, documents the sonic footprints of poets, filmmakers, revolutionaries, and climate change across numerous global locations. Following last year’s release of Correspondences Vol I, they have today announced the release of Correspondences Vol II. Accompanying the announcement of the new 2-track EP, out March 21 via Bella Union, is the first fifteen minute track, titled “Children Of Chernobyl”. (...) It’s here, where the natural meets the unthinkable, that the story of Soundwalk Collective and Patti Smith’s CORRESPONDENCES continues. More ghostly still are the same words sung in Ukrainian at the song’s end by the Chernobyl Children’s Choir: “There are roses underfoot that one cannot smell / There is fruit on the vine that one cannot eat / And they went to bed hungry / And hungry they’ll sleep / For a thousand years.”"

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