From the shores of Benin to the streets of Morocco, the Motherland echoes with the melody of female African musicians unapologetically using their art to ignite positive change that transcends the music industry. In the soaring vocals of Fatoumata Diawara, to the bold lyrics of Muthoni Drummer Queen, the message is clear: it is time to fight for a world where gender equality is the norm, not the exception, and to amplify the voices of women and girls who have been overlooked for too long.

This personal reflection is part of a series called Turning Points, in which writers explore what critical moments from this year might mean for the year ahead. “Working with this generation of African artists inspires me, because the way their music feels and makes me feel is that perfect blend of familiar and fresh. Young artists like Burna Boy, the first Nigerian act to headline — and sell out — Madison Square Garden, are shining on the world stage because they are no longer looking to imitate Western music. They are looking to the traditional music of their countries, and to the many artists who came before them, like Fela Kuti, Salif Keita or me.” (Angélique Kidjo)

Multiple Grammy-winning singer–songwriter Angélique Kidjo tells the story of her harrowing escape from Communist Benin into France, her rise from poverty to become an international sensation, and her tireless advocacy work for the education of African girls and women’s rights. Her memoir is Spirit Rising: My Life, My Music. She’s joined in conversation and song by percussionist, composer, and educator John Santos.