Angelique Kidjo makes it clear that this is a category that should have a mission: "We've got to educate people to understand that it's not just commercial music that is 'music.' We have music in the global category that is the roots of all the commercial music that people are listening to. It's important to go back and find out where the commercial music you are listening to comes from. "We need to bring the topic of global music to the forefront of the Grammys. We need to have a constant discussion to improve and get better. The whole world is watching."

Beninese diva-superstar Angelique Kidjo and David Byrne had known each other for many years before they ever thought about working together. In 2018, Kidjo released Remain in Light, a track-by-track reimagination of the seminal record by the Talking Heads, of which Byrne was the large-suited frontman. And amidst a lockdown landscape, both have stayed hard at work, with Kidjo—who is nominated for three Grammys this year, including Best Global Music Album and Best Global Music Performance—starring in Yemanja, a music theater performance that she created with her daughter, and Byrne starring in American Utopia, the Broadway adaptation of his tenth studio album. The two remain close, though in light of the pandemic, they haven’t had an extended chance to chat until now. In order to reconnect, they hopped on the phone to discuss African musical entrepreneurship, generational shifts in young artists’ agency, and what’s to come for Afrobeats at large.

Around the world, Benin-born singer, songwriter and activist Angélique Kidjo is musical royalty. Widely considered the “Queen of African Music,” she has performed at United Nations, Olympic and Nobel Prize ceremonies, collaborated with musical luminaries from Bono to Philip Glass and recorded numerous albums, four of which have won Grammy Awards.

On Friday, March 4, at the Massachusetts Museum of Contemporary Art in North Adams, she will become a goddess in “Yemandja.”